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Williams set Princess Leia's theme in D major, a key associated with overachievers and negotiators according to Paolo Pietropaolo's Signature Series , which Leia certainly is: at 18, she became the youngest senator ever of the Galactic Empire and would later be instrumental in establishing the New Republic. But as the theme is developed, Williams consistently visits the flat side of the key especially the flattened supertonic and submediant , whose instability underlines the other important facet of Leia's character: she's the film's romantic lead.
Beneath her tough exterior is a living, breathing human being, subject to her desires and emotions. The melody of Princess Leia's theme is built of two distinct cells that reflect her character's inherent contradiction.
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The first is an upward leap of a major sixth, from the dominant to the mediant. While large melodic leaps traditionally imply heroism and confidence — Otello's " Esultate! Marion's theme from Raiders of the Lost Ark is another good example. The melody's second component, and the one Williams develops more fully, outlines a falling third using an eighth and two 16th notes, and keeps the tune hovering around the unstable second, third and fourth scale degrees.
This is Leia's vulnerability and yearning, the private side of the woman who, in public, is the leader of the Rebellion. This yearning reaches a local peak in measure 4 when it hits the flattened submediant.
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The melodic climax of the theme arrives two measures later, when the leading tone sets off a descending chromatic sequence whose goal, in measure 10, is the dominant scale degree. The first four measures of Princess Leia's theme establish not only the main melodic material, but also the tonality through a prolongation of tonic harmony. Williams uses a half-diminished seventh chord built on the supertonic on the downbeats of measures 2 and 4 over a tonic pedal, as the melody inches upwards and then recedes.
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It's an affectation that gets overused in pop music this R. Kelly song really abuses it , but in tasteful doses it achieves the desired sense of nostalgia.
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In measures 5 to 8, Williams fragments the melodic material and engages in a bit of modal interchange, progressing through Lydian and Phrygian colours built on the flattened supertonic. For an in-depth look at Williams's voice-leading, in the greater context of American film music of the 20th century, check this out.
The temporary goal of this progression is B-flat major flat VI , which arrives in measure 8 following an implied V-I cadence. Then, in the following two measures, we have true predominant harmony for the first time, getting us to V and poised for a repeat of the theme. These examples may contain colloquial words based on your search.
French Bulldog - L&M'S PRINCESS LEIA
Princess Leia princesse Leia. Me and Princess Leia here will find some other way to spend the evening. Moi et Princesse Leia trouverons autre chose pour ce soir.
Princesse Leia trouverons autre chose pour ce soir. Suggest an example. Announce Prince Charles and Princess Leia. Annoncez le Prince Charles et la Princesse Leia.
Princess Leia was wearing La princesse Leia portait Sorry about the doll collection, Princess Leia. And princess leia is your sister. I want a Princess Leia doll. I was saying I wanted a Princess Leia No, I'm not Princess Leia.
STAR WARS: Princess Leia & Wicket by Mike Mitchell – Mondo
Je ne suis pas la Princesse Leia. You should've seen her, like a little pint-sized princess Leia. Princesse Leia. Yes, Princess Leia of Hungary. Oui, la Princesse Leia de Hongrie. Star Wars?